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These are fantastic, it looks like you put a lot of effort into this. I'm not sure if you wanted feedback or not, but I actually think you could cut it down a little to have even more impact and reduce some of the repetitive pictures. What would you think about dropping 4,6,8,9,11,12 and 14, then you have it at under 10 pictures and still tell the same story? Not that those are bad or anything, but I didn't think they added additional info.
nice set, I want to see the car actually in motion though - ideally they should be driving and you would be in a chase car shooting from there to get some motion in the shot
Jul 09, 2013 at 03:51 PM
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neighbourboy wrote:
These are fantastic, it looks like you put a lot of effort into this. I'm not sure if you wanted feedback or not, but I actually think you could cut it down a little to have even more impact and reduce some of the repetitive pictures. What would you think about dropping 4,6,8,9,11,12 and 14, then you have it at under 10 pictures and still tell the same story? Not that those are bad or anything, but I didn't think they added additional info.
Oh, and the smile on the old dude in 13, awesome.
Thanks for sharing.
--David
Thanks David and food for thought with the numbers. Feedback is welcome and appreciated. He's smirking in #13 like a cat in a fish shop
Langran wrote:
nice set, I want to see the car actually in motion though - ideally they should be driving and you would be in a chase car shooting from there to get some motion in the shot
Thanks Langran and I agree. It was intended as an alternative option to get shots as you suggest with background motion blur but was rushed with light quickly running out and gave it a miss.
sachman wrote:
Very cool storytelling, and love the period dress!
Thanks sachman. Old habits with the story telling from a past in country press photography. The period dress took some getting with the 20's back in vogue again with Gatsby. I see you're in Sydney. This was shot in Far North West NSW.
You could have left the old guy out completely. He seems totally extraneous to me. Was he in cahoots with the gals to begin with? The old guy just bring a whole lot of questions without adding any clarity.
runamuck wrote:
You could have left the old guy out completely. He seems totally extraneous to me. Was he in cahoots with the gals to begin with? The old guy just bring a whole lot of questions without adding any clarity.
I do agree the B&W is far better.
He was a required inclusion for the job and as such used as the car driver/hired help for the two young gentlemen. His 'Cheshire cat' grin in #13 gives only a subtle hint to his motives, allowing the viewer to determine if he was in cahoots with the gals to begin with. Thanks for the comments.
