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Thypoch Simera 28mm f/1.4 ASPH. Type II Review

  
 
gammarART
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p.5 #1 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Still hope for a 40mm Simmer lens


May 30, 2025 at 04:02 AM
Steve Spencer
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p.5 #2 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


gammarART wrote:
Still hope for a 40mm Simmer lens


Since they have a 35mm, I doubt they will make a 40mm. What I think we are more likely to get is a 100mm.



May 30, 2025 at 06:56 AM
AGeoJO
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p.5 #3 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


The Sony version's price of this lens at that big NY store is less than that of the Leica version. Is the Sony version lens as "good" as the Leica version? It doesn't have any electronic contact to transfer exif data, I assume though, right? TIA!


May 30, 2025 at 07:01 AM
Steve Spencer
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p.5 #4 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


AGeoJO wrote:
The Sony version's price of this lens at that big NY store is less than that of the Leica version. Is the Sony version lens as "good" as the Leica version? It doesn't have any electronic contact to transfer exif data, I assume though, right? TIA!


Joshua you are correct that the Sony version does not have electronic contacts, so you would need to set the focal length in camera to get IBIS to work properly. The Sony version is currently less money than the latest Leica version, but there are two Leica versions. When the lens first came out in Leica M mount it had an infinity lock instead of a focus tab. This infinity lock was roundly criticized in reviews for being ergonomically a disaster, and perhaps for that reason Thypoch made a second Leica version with a focus tab instead of the infinity lock. The mirrorless versions had the focus tab from when they were first available.

It is not clear why the second Leica version is a bit more expensive. Perhaps, they thought they could get a little more profit from Leica customers as Leica customers may be less driven by cost. Perhaps they increased the price planning for the possibility of tariffs. Who knows. It also isn't clear if the mirrorless versions are adjusted for the particular mount to which they are made. Nehemiah tested the Sony E mount Simera-C 50 f/1.5 cine lens and it seems to be adjusted for Sony compared to the 50 f/1.4 stills Leica M mount lens, but nobody that I know of has tested the 28 or 35 comparing the Leica version to the mirrorless version on a mirrorless camera. I would think the mirrorless lenses have been adjusted for the sensor glass, but that hasn't been tested yet. But if they have been adjusted, did they adjust for each mount or just kind of an average adjustment for mirrorless? All that is still unknown, AFAIK.



May 30, 2025 at 07:51 AM
Ripolini
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p.5 #5 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Steve Spencer wrote:
Since they have a 35mm, I doubt they will make a 40mm. What I think we are more likely to get is a 100mm.


Cosina makes 7 (seven) 35 mm lenses with M-mount, and 3 (three) 40 mm lenses
https://www.cosina.co.jp/voigtlander/en/vm-mount/



May 30, 2025 at 09:24 AM
Steve Spencer
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p.5 #6 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Ripolini wrote:
Cosina makes 7 (seven) 35 mm lenses with M-mount, and 3 (three) 40 mm lenses
https://www.cosina.co.jp/voigtlander/en/vm-mount/


Very true, but DZO (the company that makes Thypoch lenses) and Cosina are very different companies. Maybe in a number of years Thypoch will make a 40mm, but I don't think that is likely. Just my take. I could very well be wrong.

DZO makes some really nice cine lenses and you see that heritage in the Thypoch Simera lenses. Typical for cine lenses they have clearly made a series with similar, size, speed, and look in the Simera line and they even turned these into a set of cine lenses called the Simera-C line with built in gears. They have made the collapsible 50 f/2 Eureka, however, so that does suggest they will also make one off lenses. So maybe they will make a one off 40mm, but I wouldn't hold my breath for that as it is a pretty esoteric focal length for Leica M given there aren't even frame lines for it on most Leica M cameras.

Cosina in contrast has focussed on making esoteric lenses. That is what they do. They even made a film camera (the Bessa) that was pretty esoteric and I think may in some versions had 40mm frame lines. Making 40mm lenses are right up their alley. They make tons of lenses at every focal length for Leica M, but even they make fewer 40mm lenses. I don't see DZO/Thypoch following this path, but again I could very well be wrong.



May 30, 2025 at 10:09 AM
DandA123
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p.5 #7 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


philip_pj wrote:
So the humble but very useful focus tab makes it to the M Simera 28/1.4, and the infinity lock is locked out (forever I suspect). Dave here gives some feedback on how receptive DZO/Thypoch is to user feedback. Like many, he is discovering the great value and utility of the 28mm focal length. (My E-mount version accounted for 60-70% of recent outings, so it's easy to agree.)

But the interesting snippet is at around 6:20 where he mentions Thypoch sent him an unidentified lens for prototype evaluation and feedback. What could it be? It's 'pretty freaking awesome and surprising'. We'll see,
...Show more

I'm going to guess the prototype lens he was referring to was the upcoming Thypoch 21mm f1.4 in M mount (and maybe other mounts eventually).



May 30, 2025 at 10:23 AM
philip_pj
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p.5 #8 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


The company is keeping an ultra low profile and there is a lot of confusion about them. Nonetheless, they reached out to this guy to ask his opinion about a prototype lens. So we can assume he is a known influencer who would already know about the 21/1.4, and we have had photos of that very lens for some weeks now. They should not be asking him about a completed product, but who knows?

With new and unheralded products, we see a kind of fog surrounding them, with each person's level of knowledge sitting somewhere in the haze. Most believe these manufacturers are best off being ignored as irrelevant, no matter what excellence they bring.

They are unpredictable, and only have released six lenses for stills photography. PR is not their natural behaviour either, they would rather design and produce than talk it up and clarify their moves. It took Cosina Voigtlander two decades to be even vaguely familiar to the broader US market, and to gain a degree of respect. In time, the sneering gradually subsided.



May 30, 2025 at 04:30 PM
ocean2059
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p.5 #9 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


A few images taken at the National Portrait Gallery, Washington DC with Leica M10R





© ocean2059 2025





© ocean2059 2025





© ocean2059 2025





© ocean2059 2025





© ocean2059 2025




Jun 09, 2025 at 09:30 PM
philip_pj
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p.5 #10 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


These lovely images above point to the Simera 28mm being a dark horse kind of lens - one that flies under the radar. They get overlooked in times like these, with such a blossoming of fine lenses every week.

The 28/1.4 got a favorable mention in Shal's new Dirty photography club YouTube video, titled:

'Your first poppy lens - 5 lens classes to choose from'

If you value 'true to life' (TTL) rendering, the full video is worthwhile. For the Simera content, go to 26:15 in the timeline. He photographs people and appears to feel much as I do, in that he doesn't use modern design lenses that lack the TTL look.

The other Simeras I have (50-75) are all similar in having a family style, but the 28mm is something special. Even with a 21mm coming, they might want to consider making a 24mm as well, at some stage.




Jun 10, 2025 at 02:28 AM
 


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Ripolini
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p.5 #11 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


philip_pj wrote:
The 28/1.4 got a favorable mention in Shal's new Dirty photography club YouTube video, titled:

'Your first poppy lens - 5 lens classes to choose from'

If you value 'true to life' (TTL) rendering, the full video is worthwhile. For the Simera content, go to 26:15 in the timeline. He photographs people and appears to feel much as I do, in that he doesn't use modern design lenses that lack the TTL look.


He made many assertions without any comparison of images to prove what he claims. He mentioned the Nikkor AF 28-105/3.5-4.5D as a nice rendering (and extremely cheap) lens. Does it produce better TTL images than, say, the Canon EF-L 24-105/4 or the Z 24-120/4 S?
Then, I'm not so sure that we must keep clear of the APO designation, as he wrote in a comment below the video. I like the rendering of my Zeiss 135/2 Apo Sonnar.
I like also the rendering of the Zeiss 100/2 Makro-Planar, a lens that has two anomalous partial dispersion (APD) elements to minimize CAs (actually, the lens has negligible LaCA). I couldn't find any mention to HRI elements in the Makro-Planar design.
My impression is that the equation
HRI elements = true-to-life rendering
is an oversimplification.



Jun 10, 2025 at 04:30 AM
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p.5 #12 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Ripolini wrote:
I couldn't find any mention to HRI elements in the Makro-Planar design.
My impression is that the equation
HRI elements = true-to-life rendering
is an oversimplification.


I think the reference to HRI can be interpreted more as "not ASPH heavy". Imo, there has been a marked design shift from spherical > ASPH > more and more ASPH elements. Where the increased use of ASPH elements has been a strong contributor to optical corrections, the rendering of such strong use of ASPH has reached its zenith.

The use of non-ASPH elements has begun to supplant the reliance on ASPH to be well corrected. HRI and ED combinations making contributions that begin to swing back the other direction from multi-ASPH designs, with regard to their rendering qualities. Having a single ASPH element in combination with other HRI / ED elements, etc. seems to be a sweet spot for being well corrected, and yet retaining some of that TTL rendering that we've long associated with SA, etc. Imo, the pendulum has swung far with ASPH, and the new / next era will be to develop / find those with less ASPH emphasis ... HRI being one alternative approach.



Jun 10, 2025 at 05:39 AM
Steve Spencer
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p.5 #13 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


RustyBug wrote:
I think the reference to HRI can be interpreted more as "not ASPH heavy". Imo, there has been a marked design shift from spherical > ASPH > more and more ASPH elements. Where the increased use of ASPH elements has been a strong contributor to optical corrections, the rendering of such strong use of ASPH has reached its zenith.

The use of non-ASPH elements has begun to supplant the reliance on ASPH to be well corrected. HRI and ED combinations making contributions that begin to swing back the other direction from multi-ASPH designs, with regard to their rendering qualities. Having
...Show more

Both HRI and ASPH elements can help make lenses smaller. One way ASPH elements can make lenses smaller is one ASPH element can do the work of multiple spherical elements which of course can reduce the size and even the complexity of a lens. HRI elements can reduce size because given a certain thickness they refract the light more than a similar thickness non-HRI elements. A thinner element obviously reduces the weight of a lens.

So if you want to replace an ASPH element and keep the lens close to the same weight, then adding a couple HRI elements can help you get there. They do the same work as the ASPH element, but because they are thinner even multiple HRI elements don't necessarily weigh more.

True to life (TTL, note that isn't through the lens which we also abbreviate as TTL) is always going to be a hard concept, in my view, and pretty subjective. Personally, it is never much of a goal in my photography. TTL to me is a lot like realism in paintings. I can appreciate it, but I prefer a look that isn't exactly TTL and sometimes I want a look that is radically not TTL (that is usually the case when I shoot, for example city streets at night). I don't think lens design contributes much to TTL even if you want to create it. As usual in creating a photographic look (the same is true for 3D pop), TTL is much more about light and how it is used than lens design, although lens design no doubt contributes.

I think a big issue with TTL, however, isn't what lens design contributes to TTL, but what it takes away from TTL, and I think the problem with some very modern designs is that they are so well corrected that more detail is provided than what we normally see with our eyes. That creates a hyper detailed look that subtracts substantially from TTL in a way I sometimes don't like. We speak about that fairly often with portraits (e.g., I can see every pore) but it can in my view affect many types of images. So, in my view lenses can both create too much detail as well as too little detail and I want a lens with balance and a lens that allows me to control the look I want. In the past many lenses had one look wide open and a different look stopped down. I have always liked and still like such lenses. Recently, however, some modern lenses have optimal sharpness wide open and stopping down only affects the depth of field. I think the sameness of the rendering of these lens regardless of the aperture is not necessarily a virtue. It restricts the flexibility of the lens and how I can use it, so I consciously look for some lenses that give me more flexibility.



Jun 10, 2025 at 07:32 AM
Ripolini
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p.5 #14 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


I have two questions.
Why Z-, RF-, E-mount versions cost less than M-mount?
Is there any degradation at the corners of those cheaper lenses compared to M-mount version(s) on Leica bodies?
Thanx.



Jun 10, 2025 at 09:49 AM
Steve Spencer
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p.5 #15 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Ripolini wrote:
I have two questions.
Why Z-, RF-, E-mount versions cost less than M-mount?
Is there any degradation at the corners of those cheaper lenses compared to M-mount version(s) on Leica bodies?
Thanx.


Excellent questions and I would like to know the answers as well.

I can speculate.

On the first question, originally the 28 f/1.4 and 35 f/1.4 Simera came out in Leica M-mount and had an infinity lock instead of a focus tab. Then the Z, RF, & E mount versions came out with a focus tab. When these mirrorless mount versions came out they were the same price as the original M mount version. Then Thypoch made a second version of the M mount lenses with focus tabs. When they did they raised the price. That might have been because the lenses were selling well and they thought they could take a little more profit or it could have been to offset newly enacted and potential tariffs. We can't know for sure why they raised the price unless they tell us, but both those explanations seem plausible.

I can only offer the little bit of information that has been revealed on the forum about the second question.

Nehemiah tested the E-mount Thypoch 50 f/1.4 Simera-C cine lens on both his unmodified and modified thin sensor Sony cameras. That lens performs better on the unmodified than the modified camera, which suggests at least the the Simera-C lenses (that have the same optical formula as the Simera lenses) have been modified for the thicker sensor of Sony cameras.

The reverse is true for the Simera 50 f/1.4 for Leica M mount. Both Fred and Bastian find that lens has notably better performance on a Leica camera than on an unmodified Sony camera.

Together these findings suggest that at least for the Simera 50 compared to the Simera-C 50 for E mount Thypoch has adjusted the lens for the sensor glass thickness of the camera to which it mounts. We don't know if that is true for the 28mm and 35mm Simera lenses, but it seems reasonable to expect that it would be and we have seen some really nice snots from people like mudlake (Phillip has many wonderful images as well but I believe he uses a Leica M mount version on a modified sensor Sony camera) that I think would show more problems if they didn't adjust for the sensor thickness. As far as I know, however, no one has tested that directly with the 28mm and 35mm lenses. We do know from Fred's and Bastian's tests that the M mount versions of the 28mm and 35mm lenses have worse performance on a Sony unmodified camera than on a Leica M mount camera, but we don't know if the reverse is true for the E mount versions as it is for the E mount 50 f/1.4 Simera-C.



Jun 10, 2025 at 10:05 AM
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p.5 #16 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Steve Spencer wrote:
Excellent questions and I would like to know the answers as well.

I can speculate.

On the first question, originally the 28 f/1.4 and 35 f/1.4 Simera came out in Leica M-mount and had an infinity lock instead of a focus tab. Then the Z, RF, & E mount versions came out with a focus tab. When these mirrorless mount versions came out they were the same price as the original M mount version. Then Thypoch made a second version of the M mount lenses and with focus tabs. When they did they raised the price. That might have been because
...Show more

I do not have plans to pick up the 28mm, though I am still curious how an e-mount performs on both a modded and stock Sony. If one popped up on the b/s forum, I’d probably buy to test and flip it. It’s a little riddle I’d like solved.


And the Cine lenses for Thypoch are f1.5 not 1.4 like the stills versions—just a friendly heads up Steve



Jun 10, 2025 at 10:18 AM
mivadep
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p.5 #17 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Ripolini wrote:
Why Z-, RF-, E-mount versions cost less than M-mount?


I would guess that rangefinder coupling is the main source of the higher price for M-mount.



Jun 10, 2025 at 10:20 AM
Steve Spencer
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p.5 #18 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


nehemiahphoto wrote:
I do not have plans to pick up the 28mm, though I am still curious how an e-mount performs on both a modded and stock Sony. If one popped up on the b/s forum, I’d probably buy to test and flip it. It’s a little riddle I’d like solved.

And the Cine lenses for Thypoch are f1.5 not 1.4 like the stills versions—just a friendly heads up Steve


Yeah, I should have said Thypoch Simera-C T1.5. I assume both the C version and the stills version are both f/1.4 and T1.5.



Jun 10, 2025 at 10:21 AM
Steve Spencer
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p.5 #19 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


And this might be a good time to share some of my thoughts about modifying Leica M mount lenses for mirrorless.

With Cosina Voigtlander (CV) lenses when they make lenses for both Leica M mount and mirrorless mount the lenses are often fairly different. Cosina has a pretty long history of making Leica M mount lenses and their M mount lenses seem to be very optimized for Leica M cameras. That means among other things, they are very small, have a very small diameter, and have a short focus throw.

When Cosina makes a similar lens for mirrorless it is clear they change the lens in a number of ways. They obviously change the registration distance so it mounts at a proper distance from the sensor, but they also add electronic contact and relay information to the camera. In addition, the design constraints seem to change too. They relax the criteria for diameter and weight. The mirrorless versions almost always have a larger diameter and filter thread than the Leica M versions and they always weigh more (and more than seems necessary just to shorten the registration distance). They also shorten the minimum focus distance (MFD) and lengthen the focus throw. Sometimes they even change the aperture blades and in at least one case (the 50 f/2 APO, the optical formula).

Let's look at a couple of examples. The 21 f/1.4 Asph for Leica M has a 69.5mm diameter, weighs 480g, has a .5m MFD, and has about a 90 degree focus throw. The 21 f/1.4 Asph for Sony has a 70.5mm diameter, weighs 560g, has a .25m MFD, and has about a 130 degree focus throw. With these two it is one of the rare cases where the filter diameter stays the same.

The lenses are not hugely different, but they are different and personally I would prefer the E-mount version on a Sony camera and the M-mount version on a Leica M camera even if the performance was the same. I am glad for the additional changes in addition to the registration distance and the adjustment for the thicker sensor glass on the Sony camera.

If we look at the two versions of the 90 f/2.8 APO-Skopar, the physical differences are even more apparent. These differences are no doubt more extreme because we are comparing a Leica M lens to a DSLR lens. Still they share the same optical formula.

The Leica M 90 f/2.8 APO-Skopar has a 53mm diameter, weighs 250g, has a 39mm filter thread, about a 100 degree focus throw and a nifty 10 blade aperture that is round at f/2.8, f/4, and f/22, but not at other apertures. The SLII version of this lenses has a much wider 66.3mm diameter, weighs more at 260g (despite have a much longer registration distance), has a 52mm filter thread, and about a 180 degree focus throw despite having the same .9m MFD. It also has 9 rounded aperture blades. Optically, these lenses are the same and they have each been adjusted for their sensor cover glass, but physically they are very different. One optical consequence of the very different diameter is that the SLII version seems to have much less vignetting.

Cosina seems in my view to have carefully thought about making each lens not only optically but physically for the camera for which they design the lens. Even mirrorless lenses for different cameras can be notably different (the Sony E-mount 50 f/2 APO has a smaller filter thread than the Nikon Z-mount 50 f/2 APO). I like Cosina's approach and although I find Leica M mount Voigtlander lenses generally pretty useable on Sony E-mount cameras, I almost always prefer the lenses Cosina has made for Sony E mount. I appreciate not only the electronic contacts, but also the typically shorter MFD, the longer focus throw, and even the larger diameter if it reduces vignetting (I find Voigtlander lenses to be pretty extreme in their amount of vignetting). Larger diameter bothers me close to zero on a mirrorless camera, but if it blocks the viewfinder it is a critical issue on Leica M cameras.

What does this mean for Thypoch Simera lenses? Thypoch made the 28 f/1.4 and 35 f/1.4 for mirrorless mounts, but I am hoping that was mostly a beta version. It appears all they did was change the registration distance and put on the appropriate mount (and likely adjusted the optical formula for thicker sensor cover glass, but is that different for Sony E and Nikon Z mounts that themselves differ?). I would love to see Thypoch revisit these issues and make mirrorless versions of their lenses that not only get the registration difference right and provide optical adjustment, but tailor the lens for the mount. I would love to see electronic contacts, but I would also like to see longer focus throws (they do that already on the Simera-C lenses), and perhaps wider diameters if it reduces vignetting. I know personally, I would be a lot more interested in these Thypoch Simera lenses with a bit better tailoring for mirrorless cameras.



Jun 10, 2025 at 11:11 AM
Fred Miranda
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p.5 #20 · Thypoch Simera 28mm f/1.4 ASPH. Type II Review


Have the Thypoch Simera 21mm M-mount lenses begun shipping?


Jun 17, 2025 at 03:20 PM
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