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What am I missing?

  
 
Paul_100A
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p.3 #1 · What am I missing?


johnvanr wrote:
Like you, I shoot wildlife generally wide open because I need all the speed I can get (mostly talking about birds in flight). I do like the look of a FF f/4 prime better when the bird is against a busy background (provided the camera, any camera, can actually keep the focus on the bird), but that advantage disappears with the slower FF zooms. Even that is to a large extent a function of how the lens renders that background, which is generally stellar in case of the FF f/4 primes.


"I do like the look of a FF f/4 prime better when the bird is against a busy background". 100% solid point!

oddly enough I find I am removing/PPing less 'distractions' (sticks/leaves/branches) and I am cropping far less tightly for my bird pics nowadays.
Maybe I am getting lazy? IDK because it's faster/easier than ever nowadays to remove sticks/twigs, and, things from an image.
I just don't seem to mind (to a point) the distractions of a busy (to a point) BG so much as it tells what is happening with the image. Art...seems it's all subject to one's own (changing) tastes.



Jul 14, 2025 at 01:29 PM
johnvanr
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p.3 #2 · What am I missing?


Paul_100A wrote:
"I do like the look of a FF f/4 prime better when the bird is against a busy background". 100% solid point!

oddly enough I find I am removing/PPing less 'distractions' (sticks/leaves/branches) and I am cropping far less tightly for my bird pics nowadays.
Maybe I am getting lazy? IDK because it's faster/easier than ever nowadays to remove sticks/twigs, and, things from an image.
I just don't seem to mind (to a point) the distractions of a busy (to a point) BG so much as it tells what is happening with the image. Art...seems it's all subject to one's own
...Show more

I actually don't shoot much wildlife after I moved from the US to Europe. But even in the US, I started shooting less in a 'documentary style' (i.e. just get the bird) and more toward getting some of the surroundings of the bird in the shot as well.



Jul 14, 2025 at 01:32 PM
kwalsh
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p.3 #3 · What am I missing?


Paul_100A wrote:
"indeed there is a common myth of m43 having a "depth of field advantage" which most certainly is not a thing!"
...how do you suppose such a myth came to be and why is it so common if it is not a thing?
i find it odd that you are suggesting that all the folks whom support m4/3 having a DoF advantage over FF are wrong?


Are you honestly asking why things that are provably wrong persist on the internet? And are you further asserting that despite the already recognized logical fallacy of "appeal to authority" that we should instead "appeal to the masses" when answering provable technical questions instead of actually just doing the math ourselves? Anyway, sorry to be unnecessarily controversial, but it just struck me as an unusual position to start from.

The answer is simple. For any "depth of field advantage" that a smaller format might be believed to have the larger format simply stops down to a smaller aperture to match. When the larger format does this it of course loses any "advantage" it has over the smaller format as far as noise goes. Because the larger format stopped down if it needs to keep the shutter speed it must raise its ISO and as a result its noise performance now matches the smaller format.

This is the classic example of "equivalence" and is demonstrated innumerable times across various photography websites.

You appear to in fact agree with it below.

So no, there is no "m34 depth of field advantage". You can take the very same photo with a FF camera that you can take with an m43 camera as far as depth of field goes. The final images will have the same noise. Indeed, in this case neither camera has any advantage over the other as far as DoF and noise goes. They are equivalent.

There is a significant fraction of people that erroneously believe that m43 can take deeper DoF images than FF cameras. That if you need deep DoF you are better off shooting m43. That's simply not true.

What is true, if we are looking for m43 advantages, is that if you have no need for shalllow DoF then there are quite compact lenses you can buy in m43 that just don't have FF equivalents that physically small and light (like the 15/1.7 for example). The FF system can still shoot the very same image, you'll just end up hauling a bigger lens around for shallow DoF effects you might never use.

There are two caveats to the above. First, if you want to get deep, deep into diffraction territory then you may find m43 lenses that stop all the way down to F/16 while a FF lens might also stop at F/16 or only go to F/22. In those cases the m43 lens would be able to get deeper depth of field simply because of the limiting smallest aperture of the FF lens. In general people avoid shooting at such apertures though. And of course the effects of diffraction scale perfectly with sensor size. So the m43 shot at F/8 has the same diffraction effects as F/16 on FF.

Second, in macro shooting the pupil ratio of the lens begins to matter a lot. Because of the similar flange focal distances of all mirrorless formats regardless of sensor size this could in theory result in a potential DoF advantage for one format or the other. I'm simply not familiar enough with the macro lenses available to know if this is reflected in reality or not, but it is a possible theoretical advantage for achieving wider DoF with one or the other system.


with FF I often find I get less of the subject's details well defined (tip of nose/beak to back of head) with FF than with m4/3 at the same apertures. so stop down the FF lens to get the same DoF right? that is not an advantage for FF in my book.


It appears you understood exactly what I was saying. You seem to have now confused things by appearing to think I said there was a "FF advantage". That's not what I said, I said there was no "m43 advantage". Which is true, all I have to do to match the m43 shot is stop down the FF system.


subject isolation, if that is solely what one is targeting for results, can often times be a win for FF (depending on subject to background distances).


This is a potential FF advantage, you can get shallower DoF with a FF system that you simply can't get with a m43 system. Not important to everyone though and some people would prefer carrying lighter equipment and more money in their wallet than chasing that FF "advantage". Plenty of people find razor thin DoF more of an affectation than an advantage as well, so if shallow DoF isn't to your taste that's one potential FF advantage that is of no use.


more front-to-back of subject's details reproduced for given apertures...a simple by-product of m4/3, a win.


No, the FF camera just stops down to get the very same DoF and same noise performance as the m43 system. No win for m43. Just a tie.

And that's the larger point of "equivalence". In a very large range of shooting conditions it usually just comes up as a "tie". No advantage for either system. In a limited set of circumstances FF can have a final image "advantage" by which I mean do something not possible for the m43 system to ever do. There are really no conditions in which the m43 system can create an image that the FF system can't equally create just as well. But again, be prepared to pay more and carry more to have the potential to use that FF "advantage". For most m43 users the very real and persistent advantage of smaller kits of gear outweighs the occasionally encountered advantages of FF systems. For others, if their shooting regularly intersects with where FF can have an advantage they'll make the opposite choice.

Horse, courses, all that. But nonetheless, yes the internet and photography forums are full of persistently repeated fallacies and anyone that's been doing this for very long has seen them come up constantly. Some do get retired over time thankfully!


Edited on Jul 14, 2025 at 01:46 PM · View previous versions



Jul 14, 2025 at 01:39 PM
PV Hiker
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p.3 #4 · What am I missing?


I will always try to zoom in and get as many pixels on the subject. Taking advantage of the full zoom of the lens also makes the background blurs more. Shooting too loose creates busy backgrounds. But getting more pixkes often burns me with the cost of clipping parts by not keeping subject in the frame.


Jul 14, 2025 at 01:39 PM
Paul_100A
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p.3 #5 · What am I missing?


kwalsh wrote:
Are you honestly asking why things that are provably wrong persist on the internet? And are you further asserting that despite the already recognized logical fallacy of "appeal to authority" that we should instead "appeal to the masses" when answering provable technical questions instead of actually just doing the math ourselves? Anyway, sorry to be unnecessarily controversial, but it just struck me as an unusual position to start from.

The answer is simple. For any "depth of field advantage" that a smaller format might be believed to have the larger format simply stops down to a smaller aperture to match. When
...Show more
strangely, I thought your argument was based on shooting both formats' lenses wide open like so many do so often.
"I also pointed out that for the specific comparison of the lenses in question the likely most suitable comparison is both lenses wide open."
great, m4/3 is a tie as far as DoF now that we are all stopping our FF lenses down.
well, thanks for clearing that all up and how the internet works too.



Jul 14, 2025 at 02:18 PM
 


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kwalsh
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p.3 #6 · What am I missing?


Paul_100A wrote:
strangely, I thought your argument was based on shooting both formats' lenses wide open like so many do so often.
"I also pointed out that for the specific comparison of the lenses in question the likely most suitable comparison is both lenses wide open."
great, m4/3 is a tie as far as DoF now that we are all stopping our FF lenses down.


Ah, yes I see how that got confusing now between the two different posts. The context of the "myth" comment at the end of the second was intended to be different from the first, but I didn't really point that out and now I get where you were coming from.


well, thanks for clearing that all up and how the internet works too.


Lol! Thanks for being patient with my unnecessary snarkiness.



Jul 14, 2025 at 02:43 PM
ruthenium
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p.3 #7 · What am I missing?


kwalsh wrote:
Are you honestly asking why things that are provably wrong persist on the internet? And are you further asserting that despite the already recognized logical fallacy of "appeal to authority" that we should instead "appeal to the masses" when answering provable technical questions instead of actually just doing the math ourselves? Anyway, sorry to be unnecessarily controversial, but it just struck me as an unusual position to start from.

The answer is simple. For any "depth of field advantage" that a smaller format might be believed to have the larger format simply stops down to a smaller aperture to match. When
...Show more

This is a well written and informative piece that illustrates the usefulness of understanding photographic equivalence.
I like your referring to equivalence as "a tie."
I shall digress: I have the unfortunate feeling that what "a tie" means is not commonly understood. The confusion is typically about the aperture and ISO. A myth is that since the same f-number and the same ISO value on systems of different formates mean the same, and correct, exposure, then the systems give equivalent photos.
Of course, a "tie" or equivalence explicitly implies that two different formats can never be equivalent when equally exposed(!), only when the same total amount of light falls on the sensors (the size of the sensors being totally irrelevant).
(I use "exposure" as defined, for example, in Wikipedia: "In photography, exposure is the amount of light per unit area reaching the surface of an electronic image sensor").



Jul 14, 2025 at 09:45 PM
ruthenium
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p.3 #8 · What am I missing?


johnvanr wrote:
Though you've lost me long ago with your theoretical calculations, I play:

Both images captured the same light, but the 3200 iso image is noisier. Then again, you lose detail in the crop as well, which may also result in a sub-par image.



I appreciate your responding to the question, and I am sorry for not being helpful with my technical explanations. I do science and I have been long teaching science to university science students. This experience shaped my thinking, my speaking and writing.
Let's look into the response: "Both images captured the same light, but the 3200 iso image is noisier."
There are two ways of approaching this, one that is formal and relatively simple, while the other is less formal but more convoluted.
1) The formal and simple way of thinking is this. 150mm cropped to 300 mm means the crop factor is 2. Therefore the crop is equivalent to 300mm F5.6. The genuine 300mm F4 gives one extra stop of light. One stop difference means doubling the total amount of light. More light gives better signal-to-noise ratio, that is relatively less intense noise. The printed image from the 300mm F4 at ISO 3200 is expected to be relatively less noisy than the one (similarly framed and similarly sized) obtained by cropping the 150mm F2.8 at ISO 1600.
2) The less formal way of thinking is this. Recall that ISO directly correlates with exposure. I mean exposure in the sense defined, for example, in Wikipedia: "In photography, exposure is the amount of light per unit area reaching the surface of an electronic image sensor." The ISO 1600 vs 3200 means that the amount of light per unit sensor area at ISO 1600 is twice the amount of light at ISO 3200. Thus, two times more total light was collected by the camera with the 150mm F2.8 lens. This is like considering a full glass (with the 150mm) vs a half-filled glass (with the 300mm). Cropping by the factor of 2 means that we are left with the image that covers one-quarter of the sensor. This crop received the proportional 1/4 of the light that fell on the entire sensor. This is like decanting 3/4 of the content of the full glass. What we find is that two times more light was captured with the 300mm F4 lens (half-a-glass) compared to the amount of light captured in the crop with the 150mm F2.8 lens (a-quarter-of-a-glass, after cropping/decanting).

Hopefully, this example illustrates the importance of considering the total light vs exposure. When two sensors are not equal in size, related by the crop factor R, they capture the same amount of light only(!) when ISO(larger sensor) = R^2 x ISO(smaller sensor), e.g. ISO(FF) = 4 x ISO(mFT) is a strict condition of equivalence between FF and mFT. It is for this reason that we may want to shoot mFT cameras at ISO up to 1600, the same as FF shooters may want to avoid going higher than ISO 6400.



Jul 14, 2025 at 10:46 PM
amv8
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p.3 #9 · What am I missing?


ruthenium wrote:
...
Finally, it is true that a FF and mFT camera systems that have equivalent focal lengths (e.g., FF 50mm and mFT 25mm) and set to the same SS, the same aperture f-number (e.g. both at f2.8), and the same ISO gain (e.g. both at ISO 200) and used from the same spot at the same distance to a subject should produce correctly exposed images that have the same framing. These images are not going to be EQUIVALENT because the mFT image should have a more shallow DoF...



I've been looking at this thread too long...why does the mFT image have more shallow DoF under the above conditions? Did you mean FF would have a more shallow DoF?




Jul 14, 2025 at 11:41 PM
ruthenium
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p.3 #10 · What am I missing?


amv8 wrote:
I've been looking at this thread too long...why does the mFT image have more shallow DoF under the above conditions? Did you mean FF would have a more shallow DoF?



Thank you for catching this! Yes, your correction is right. The mFT DoF could not be more shallow, and it should be the other way around, like you said.



Jul 15, 2025 at 02:09 AM
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