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A few from a series I'm working on. Still undecided on this sepia treatment though.
(PS comment. I have used virtually every other style of camera and format, and the more I use the little Fuji X's, the more impressed I am with the current generation body and lens capabilities -- it's a lot of camera for the entry cost. Just felt it was worth sharing my POV in light of a few of the discussions running amok in other threads )
Jack Flesher wrote:
A few from a series I'm working on. Still undecided on this sepia treatment though.
(PS comment. I have used virtually every other style of camera and format, and the more I use the little Fuji X's, the more impressed I am with the current generation body and lens capabilities -- it's a lot of camera for the entry cost. Just felt it was worth sharing my POV in light of a few of the discussions running amok in other threads )
I think your treatment works very well on the second shot. I like it a lot.
Jack Flesher: '(PS comment. I have used virtually every other style of camera and format, and the more I use the little Fuji X's, the more impressed I am with the current generation body and lens capabilities--it's a lot of camera for the entry cost.'
AMEN!!! I've been going thru digital cameras since Canon's D30 in 2000, changing brands, formats, etc., looking for the combination of size, handling ease, high resolution, and acceptable cost, and the Fuji-X system is the best combo I've yet found.. Specifically, the X-H2's size and handling are best-ever for me, and I'm very happy with overall rez and lenses.
Couple more, testing out a recently acquired 18/2. I have a Glimmer Glass #1 filter on it and plan to leave it on permanently. Even though this is arguably the "worst" Fuji lens I own from a technical standpoint, I'm liking the way it renders, so it'll stay. Optical perfection is sometimes over-rated Slight crop and a bit of post tweaking.
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