Apologies if I have already asked you a million times, but how do you digitize your film?
Thanks, I made some mistakes on these, mostly because the space was incredibly small and the cheap lens I was using ran out of image circle and I didn’t realize it.
I'm using a digital camera with an industrial lens to digitize. And for large format, I'm taking multiple images and stitching them in post. For 4x5, I take 4 images and 8x10 I take 9 images.
Some recent cosplay work I did with a friend at a convention earlier this month!
Nikon F3
16mm f2.8 AF-D
Portra 800 Matroyshka Gumi by Julian Mosquera, on Flickr
lifeandmylens wrote:
Mykie. He has been cobbling shoes since he was 14.
Loving this series!
In the mid 1980s I used to take my shoes to a cobbler in Lincoln, Massachusetts, and as I got to know him he casually mentioned that he worked for years as Minor White's darkroom assistant. He made a leather pocket watch strap for me that I still have (I never liked wristwatches and used to pick up old pocket watches at flea markets).
In the mid 1980s I used to take my shoes to a cobbler in Lincoln, Massachusetts, and as I got to know him he casually mentioned that he worked for years as Minor White's darkroom assistant. He made a leather pocket watch strap for me that I still have (I never liked wristwatches and used to pick up old pocket watches at flea markets).
Thank you. I'm having fun doing it and I'm learning something new each time. Love these unique trades.
Sulphur Mountain (right) and Mount Rundle (left), as seen from Third Vermilion Lake. Banff National Park, Alberta.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Ultrafine eXtreme 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Two consecutive 35mm frames, stitched in Lightroom 6.4.
dourbalistar wrote:
Sulphur Mountain (right) and Mount Rundle (left), as seen from Third Vermilion Lake. Banff National Park, Alberta.
Nikon FM2n, AI Nikkor 50mm f/1.8S, Ultrafine eXtreme 400, developed in LegacyPro L110 at 1:31 for 5.5 minutes. Two consecutive 35mm frames, stitched in Lightroom 6.4.