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p.23 #14 · Canon video thread for hybrid shooters... | |
Charlie N wrote:
uhh..... this is completely untrue, FCP gets updates, maybe not at the pace of other software packages, but even then, it's good for semi to advance editors. It's still smoking fast on ancient M1's. I know a lot of folks like davinci or premiere as they have very advanced features, however FCP offers plenty, and the performance is overlooked or inaccessible for windows users. The workflow is so much better if you dont want to spend all day editing.
Sorry! I very rarely use Mac and my memories haven’t proven to be very accurate but there was some kind of drama that soured some users on Apple. This is from Wikipedia:
“Final Cut Pro X was unveiled on April 12, 2011 at the NAB Show, and released to the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor. Final Cut Pro X was fully-rewritten in 64-bit, with a new interface, workflow enhancements and improved automation, and new features such as ColorSync integration, a resolution-independent playback system, and Core Animation-based system scaling. As part of the release, Final Cut Studio was discontinued, along with Color, Soundtrack Pro, and DVD Studio Pro.
The reaction was extremely mixed, with veteran film editor Walter Murch initially refusing to use it, citing a lack of features compared to Final Cut Pro 7. Support for translating timelines from Final Cut Pro 7 to Final Cut Pro X was notably missing, requiring editors to preserve a copy of Final Cut Pro 7 to edit older projects. An online petition asking Apple to continue development of Final Cut Pro 7 or to sell it to a third-party gathered 1,600 signatures within a week. Some of the missing features in Final Cut Pro X that were essential for professional video production included the lack of an edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, the inability to import projects created in previous versions of Final Cut Pro, the absence of a multicam editing tool, missing support for third-party I/O hardware output, and videotape capture being limited to FireWire video devices, including capture with third-party hardware. These missing features were addressed within the first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software and creating an AAF (a newer version of OMF) for passing projects to Pro Tools through X2Pro. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using it. Other movie producers,[who?] have agreed that Final Cut Pro X's initial shortcomings have been fixed.”
Final Cut Pro Wikipedia®
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