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Sony A7RVI

  
 
QuadCrownRebel
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p.15 #1 · Sony A7RVI


I’m honestly really happy they didn’t incorporate the α9iii / α1ai grip onto the α7RVI. I understand why long time Pros favor that size grip, it’s basically identical to the long running Nikon/Canon grip styles you see on their Olympic bodies. However, I invested over 30K in Sony because of the smaller grip, that makes it much better for one-handed shooting. I have trainhopped and backpacked all around America and been to all the major stores and have expressed these sentiments as a backpacker and traveler. Sony is the best camera brand in the world for hikers and backpackers who favor smaller glass and smaller grips for ultimate portability. Because grams turn into ounces, ounces turn into pounds, pounds turn into lost mileage.

The Nikon Z8 is a brick in the hand, it’s ridiculously huge, and that is as small as you can go to match what the α1 brings to the equation. I refuse to ever purchase a Sony camera that incorporates the grip of the α9iii / α1ai. Canon is complete garbage, they can’t even put a tilt screen on a sports camera. R5ii would be a great camera if it had the Z8 tilt screen, but only putting a video-centric screen on it, you cripple the ability to shoot from the hip and be blazing fast for street. Yet all these Boomers eat it up, because they are so brainwashed.

I am disgusted with the decision to speed up this camera. Sony is being cucked by the R5ii & Z8, and they feel that have to lower themselves to what the competition is doing. The issue is all these YouTubers and people pushing short form social media video content. They kept crying and complaining about the atrocious readout speed of the α7R4/5 and the warping when panning really fast…. Well you know what, I have a stack to shoot video, and I have a 61MP slow sensor for landscape/tripod stills.

I do not want a video-centric R camera. Think about this people… YouTubers, Gen-Z, Gen-Alpha have every single Japanese full frame camera designed to cater to their “video-first” workflow right now, and for “stills-first” shooters who want the most pixels & DR for static scenarios we only had one choice and that was the 61MP slow sensor. Which I am perfectly fine with, and I use my R4 for strictly stills.

These jabronis ruined the α7CR by putting a flappy screen on a 61MP stills-first camera. That’s like putting dump truck wheels on a Ferrari. They already debuted the 4-axis screen earlier with the α7RV. They ruined the α1ai by not dropping the new CPUs, motherboard & CF-A Gen 4 write speeds for 60-100FPS from 30FPS.

Yet all you marks bought the α1ai, and now you want to cry about the α7RVI stepping on its toes…well it should step on its toes. It’s a trash camera, it is complete and utter garbage, and no Sony Rep or Camera Store Rep can defend Sony against me when I enter the room…

Remember how they crippled the α1 when they dropped the α7IV with Focus Breathing Comp in Video & Animal/Bird Eye AF in Video? They screwed their Flagship customers for nearly 2 years before dropping the FW to bring Focus Breathing Comp over…but to this day they never updated the α1 to enable it to lock onto Animal/Bird Eye AF in Video…. On December 19th, 2021 they updated the BIONZ X chipset on the OG α7C to enable the α7iii architecture to destroy the $6,500 flagship α1 for wildlife video.

Sony screwed up by not leading. They lost their masculinity and got dragged into the mud by Canon. What they did was the complete opposite of “Alpha”…. Releasing the α1ii a year later would have allowed much more improvements, doing it in November of 2024 was a “Beta” move and once they did that the wheels fell off.

They could have elected to not engage the R1 immediately, and wait a year. But all you Press Agencies cried and complained and forced their hand, because you were threatening to drop Sony for Canon…. You blackmailed Sony…. I know people in AP and Getty who are Sony Pros who threatened to leave for the R1…Doug *cough* Mills…. That dude caused Sony to stick their hand in a garbage disposal.

I own and shoot nothing but Sony:
20G / 16-35GMII / 50GM 1.2 / 70-200GMII / 135GM & 400GM

I have the best glass in the world for E-Mount. (50-150GM is a boat anchor and I have better Primes)

Going from 61MP to 67MP is a slap to the face of the majority of people who invested in your brand for “stills-first” photography. So the new camera will have more DR if you use Mechanical Shutter…yeah ok…I have maybe taken 15 shots with the mechanical shutter on my “R” and over 300,000 actuations in electronic. I’m not going to use mechanical shutter all day long shooting exposures indoors for Museums across the nation. I invested all this money into your brand and you decide intentionally to take the one special camera for stills and ruin it by making it video-first.

Really hoping the real α1ii doesn’t arrive until the 2028 Olympics at the earliest. They should not cripple the Flagship by putting binned chips in it, like they did with my α1. They should debut a new bleeding edge CPU, Motherboard and throw the kitchen sink at it. Quit crippling your flagship, Sony. Quit allowing Canon to drag you into the mud with forcing the α1ai release to answer the R1 when it was half-baked. Quit ruining the “R” series by putting flappy screens and exponentially increasing the video specs while doing the absolute bare minimum to raise the bar for stills.

They get away with this, due to the fact they have a near monopoly on sensor technology. Why go beyond 61MP when the competition can’t even punch above 45MP on mirrorless FF? Nobody is pushing Sony, therefore Sony laughs while they raise prices & while at the same time slowing down and cutting back on new features…and they know they can get away with it, because you marks will eat whatever slop them throw in the trough, instead of standing tall and telling them to, “take a hike”.

We as consumers can affect these major corporations by refusing to play their game, and boycotting their new releases. I did the same with the α7RV & α1ai, because they offer little to no improvements when you compare the jump from α7RIII 42MP to α7RIV 61MP. What about α9ii jump to α1?

They can innovate and deliver. They just choose not to throw the ball down field right now, because you people keep buying their new cameras. If you quit playing their game and bleed them, then they will have to alter their tactics.

α7RVI should have been 80MP, and I have the glass to shoot 80MP on FF and get those details we can’t see today. Going from 42 MP in 2017, to 61MP in 2019…then parking the bus like José Mourinho did at Chelsea, and refusing to go on offense for 7 years…and in 2026 only giving us a 9.84% increase in Megapixels from 2019…. They are literally peeing down all your backs and telling you, “It’s raining!”

The stingy bean counters couldn’t even give us 10% improvement. This isn’t the camera you people want, it’s the camera you deserve…

Edited on May 12, 2026 at 03:46 AM · View previous versions



May 12, 2026 at 02:43 AM
Choderboy
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p.15 #2 · Sony A7RVI


Wow. What an introduction!
We better warn Fred, I think the ignore feature might be at risk of crashing.



May 12, 2026 at 02:52 AM
QuadCrownRebel
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p.15 #3 · Sony A7RVI


“Wow. What an introduction!
We better warn Fred, I think the ignore feature might be at risk of crashing.”

So you can’t even articulate an argument against the facts I just laid out. It’s the truth, and you have to censor and shut the truth, when you can’t win the arena of ideas. YouTube and Videographers have all the cameras they desire…. Why can’t they allow stills-first shooters to have a bleeding-edge, high-MP, slow-readout, landscape beast?



May 12, 2026 at 03:03 AM
Manu-K1
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p.15 #4 · Sony A7RVI


That may be an insane rant, but I agree with a couple of points. The flippy screen on the A7CR was a disappointment, and yes, the R series should be all about stills and high resolution. I was expecting the A7R VI to push the resolution boundaries to 80 or even 100 MP. I'm not saying the new camera will be bad, I'm sure it will be a great addition to the Alpha line, but where is "my" landscape camera? It looks like Sony is saying go to Medium format instead...


May 12, 2026 at 03:33 AM
QuadCrownRebel
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p.15 #5 · Sony A7RVI


“That may be an insane rant, but I agree with a couple of points. The flippy screen on the A7CR was a disappointment, and yes, the R series should be all about stills and high resolution. I was expecting the A7R VI to push the resolution boundaries to 80 or even 100 MP. I'm not saying the new camera will be bad, I'm sure it will be a great addition to the Alpha line, but where is "my" landscape camera? It looks like Sony is saying go to Medium format instead...”

Then Sony Profits, because they produce those Medium format sensors, but those cameras are trash for speed and kinetic action…. It’s like a coin flip, Heads “Sony Wins”, tails “You Lose”.

Sony is the company manufacturing the actual image sensors used in modern medium format cameras from both Hasselblad and Fujifilm.

It’s a rigged game but people keep buying their products, and as long as they keep spending money on Sony, it makes Sony fat, arrogant and lazy.



May 12, 2026 at 03:54 AM
duncangr
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p.15 #6 · Sony A7RVI


"You can please some of the people all of the time, and all of the people some of the time, but you cannot please all of the people all of the time"



May 12, 2026 at 04:36 AM
Rialto
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p.15 #7 · Sony A7RVI


Manu-K1 wrote:
That may be an insane rant, but I agree with a couple of points. The flippy screen on the A7CR was a disappointment, and yes, the R series should be all about stills and high resolution. I was expecting the A7R VI to push the resolution boundaries to 80 or even 100 MP. I'm not saying the new camera will be bad, I'm sure it will be a great addition to the Alpha line, but where is "my" landscape camera? It looks like Sony is saying go to Medium format instead...


This is my hope for the a7R line as well: high-resolution camera prioritizing photo features, that enjoys the E-mount ecosystem which is more versatile than GFX and XCD.

Fujifilm offers GFX 100S II for photographers and GFX 100 II for the hybrid shooters. I wish a7R VI were more like the former. The Mark V already took its step towards the 8K hybrid camera direction though, and I suppose Sony doesn't want to backpedal it.

If a7R VI were cheaper with fewer video features, it would occupy the same niche a7R IV was in, where Canon, Nikon, and Panasonic have made no move towards in the past years, as these makers' high-resolution cameras are all 40-ish MP hybrids.

Still, a7R VI looks more like my next camera than the medium format bodies. The E-mount lenses are too hard to give up.



May 12, 2026 at 05:11 AM
Jemini
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p.15 #8 · Sony A7RVI


Alex Phan wrote:
June


Alex, tell us about the lens . Is it as light as 300/2.8 and as big as 400/2.8? It doesn't add up for a zoom with 4.5 aperture. I think it should be slightly lighter and smaller than 200-600.



May 12, 2026 at 05:49 AM
3catsinky
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p.15 #9 · Sony A7RVI


If you don't like it don't buy it.
if you can't shoot landscape with your A7R5, go find something else to do. the only thing I agree with
is the size of the Z8. mine stays home because it's just too big, and it's going on the buy and sell board to get an RVI. and feck all the youtubers.


After reviewing, I am keeping my Z8. It's just a much better camera for video.

Edited on May 23, 2026 at 08:34 AM · View previous versions



May 12, 2026 at 06:07 AM
Manu-K1
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p.15 #10 · Sony A7RVI


Rialto wrote:
If a7R VI were cheaper with fewer video features, it would occupy the same niche a7R IV was in, where Canon, Nikon, and Panasonic have made no move towards in the past years, as these makers' high-resolution cameras are all 40-ish MP hybrids.


Maybe it's just too niche, actually, for Sony. MF is kind of niche too, and as has already been mentioned, Sony benefits anyway from selling MF sensors. The A7R IV has been out since 2019, and no other camera maker has even tried to beat its 61MP for 7 years now. I thought that maybe Sony would scale up the 40MP APS-C sensor to a 90MP FF sensor, but where is the incentive for them? They already beat everybody at the MP game in the FF arena. So instead, they choose to improve other aspects of the camera.



May 12, 2026 at 06:19 AM
 


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InFocus2014
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p.15 #11 · Sony A7RVI


First, I am a huge believer in free-speech and do not wish to imply, in any way, that the poster be censored. You, obviously know who I am talking about.

However, I will be blocking his postings. The content is unbelievably offensive, judgmental to the extreme, condescending and punctuated by a physical icon that can be highly offensive when used outside the context of describing history.

Navigating these forums can sometimes be an adventure.



May 12, 2026 at 06:58 AM
EB-1
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p.15 #12 · Sony A7RVI


I'm curious the thoughts on the impact of the a7rVI on other brands. Will Canon make a high-res body now that the R5 II is so far behind? I'm not sure what Nikon can do since they are dependent on Sony for sensors. Z9 II will no doubt be improved and doesn't really need more pixels for that pro market.
Will we see the trend of other mid-sized bodies adopting higher power/capacity batteries?

EBH



May 12, 2026 at 07:05 AM
arbitrage
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p.15 #13 · Sony A7RVI




Alex Phan wrote:
June


Can you share anything about the buffer depth?
This is where I’m most concerned about this camera vs an A1II.

Also, any info on the 100-400GM?



May 12, 2026 at 07:24 AM
Steve Spencer
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p.15 #14 · Sony A7RVI


EB-1 wrote:
I'm curious the thoughts on the impact of the a7rVI on other brands. Will Canon make a high-res body now that the R5 II is so far behind? I'm not sure what Nikon can do since they are dependent on Sony for sensors. Z9 II will no doubt be improved and doesn't really need more pixels for that pro market.
Will we see the trend of other mid-sized bodies adopting higher power/capacity batteries?

EBH


Here is my guess about the impact of this camera on other brands. For those who use Sony sensors, it seems that a similar sensor will be available from Sony's sensor division with 67 MP and the same 16ms sensor scan speed. For Nikon, I expect them to use that sensor in the long awaited Z7 III. That will be a nice camera for Nikon shooters. It is less clear whether L mount cameras will be able to get that sensor from Sony, but I expect they will or will try to make a sensor that is at least fairly. competitive with it. Look for the same sensor or one that moves in that direction for the the Leica SL4.

For Canon, I expect that they will make something like an R5s that is a high resolution version of their non-stacked sensors to compete at higher resolution. They already have got the sensor scan speed up to 16ms on the original R5 at 45MP, so a higher resolution sensor that can keep that speed up ought to be possible. They can build with a higher pixel density as they have that in their APS-C cameras, so I think they can do a higher resolution camera pretty easily as well.

I suspect that Nikon has waited on the Z7 III, knowing that the A7r VI was likely to have a new sensor and wanting to get a similar sensor for their high resolution camera and Canon has waited for Sony to show their hand so that they can at least come close to matching the sensor in this camera if not surpass it in at least some ways.

Edited on May 12, 2026 at 08:10 AM · View previous versions



May 12, 2026 at 07:45 AM
EB-1
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p.15 #15 · Sony A7RVI


Alex Phan wrote:
June


Just curious if it can use the same charger or not. I just bought that 2x USB charger last year. It's great for travel, when I need to charge 2+ batteries quickly.

EBH



May 12, 2026 at 08:02 AM
Jemini
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p.15 #16 · Sony A7RVI


arbitrage wrote:
Can you share anything about the buffer depth?
This is where I’m most concerned about this camera vs an A1II.

Also, any info on the 100-400GM?


My guess is that they'll limit buffer (as they did on A7V) and will go to CFexpress 4.0 standard



May 12, 2026 at 08:10 AM
Mystik
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p.15 #17 · Sony A7RVI


Manu-K1 wrote:
Maybe it's just too niche, actually, for Sony. MF is kind of niche too, and as has already been mentioned, Sony benefits anyway from selling MF sensors. The A7R IV has been out since 2019, and no other camera maker has even tried to beat its 61MP for 7 years now. I thought that maybe Sony would scale up the 40MP APS-C sensor to a 90MP FF sensor, but where is the incentive for them? They already beat everybody at the MP game in the FF arena. So instead, they choose to improve other aspects of the camera.


Sports and Wildlife need for 30fps at 60+mp with big whites is pretty niche too. S&W guys have always been a loud minority lol but I get where the specs are exciting and push the boundaries in what they do. but what Sony is bringing a camera to market that seems really redundant next to the a1II....slightly cheaper, more MP, but no black-out free shooting. Odd choice of product segmentation.

You're right that the Sony of today is not the Sony of the early 2010's, that was innovating at a rapid pace with the exmor sensor in the d850, that they shoved into the a7r. Now a7rVI sensor appears to be a brand new design and not just a recycle of the a7riv sensor that has been around since 2019. Still disappointing that in their priorities in sensor design that they are prioritizing speed over pushing the envelop in terms of IQ. It seems instead that the a7rVI is the new jack of all trades, master of none, whereas the original a7r used to represent the strongest step forward in terms of IQ first.

Partnership between Sony and TSMC maybe points to some new sensor designs in the pipeline that can push things forward. I don't care for 30fps shooting personally. As a portrait/wedding/event guy professional and a PJ/landscape photographer for my personal shooting, I tend to be selective in timing shots vs just blasting bursts, so nothing is really compelling about the a7rvi. A7riv was peak for me and I hadn't been drawn to a new camera except for the a7rc because the size factor of my personal shooting and the Nikon zf because its just a cool camera lol.



May 12, 2026 at 08:15 AM
Manu-K1
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p.15 #18 · Sony A7RVI


arbitrage wrote:
Can you share anything about the buffer depth?
This is where I’m most concerned about this camera vs an A1II.


It's probably not going to match the A1 II, DRAM these days are very expensive... My guess is the A1 II will still have the edge regarding scan speed (4ms vs 16ms), buffer depth and AF speed calculations. The A7R VI will probably just be an A7 V with double the resolution?




May 12, 2026 at 08:19 AM
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p.15 #19 · Sony A7RVI


Mystik wrote:
Partnership between Sony and TSMC maybe points to some new sensor designs in the pipeline that can push things forward. I don't care for 30fps shooting personally. As a portrait/wedding/event guy professional and a PJ/landscape photographer for my personal shooting,


I do certainly agree with this sentiment. The A7R6 sounds amazing on paper, but it's really hard to see what the angle or direction is for this in relation to what an R body used to be. I personally really don't need 30fps. 10fps is often plenty for me. Has Sony just plateaued at the level of 67MP and do they need help from TSMC to break through that barrier on full-frame? (100MP sensors are out there, but not full-frame) It's certainly food for thought. Just pushing the fps of the camera because they perhaps can't increase the resolution is a strange direction to sell more cameras.

Thing is too if Sony sticks with introducing a sensor in the even number R cameras and then reusing it for the odd number R cameras we might not see a 80MP+ full-frame camera until 2032 or 2033



May 12, 2026 at 08:21 AM
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p.15 #20 · Sony A7RVI


QuadCrownRebel wrote:
“That may be an insane rant, but I agree with a couple of points. The flippy screen on the A7CR was a disappointment, and yes, the R series should be all about stills and high resolution. I was expecting the A7R VI to push the resolution boundaries to 80 or even 100 MP. I'm not saying the new camera will be bad, I'm sure it will be a great addition to the Alpha line, but where is "my" landscape camera? It looks like Sony is saying go to Medium format instead...”

Then Sony Profits, because they produce those Medium format sensors,
...Show more

I think that you made some good points in your rant, but things are not so absolute. Your quest for ultra high full frame resolution is a bit foolish. If you want very high resolution, the X2D2 is the best camera that I’ve ever used and it isn’t quite as limited with regards to noise and moire as with FF. I’m all for Sony staying profitable. Making sensors for cameras is a rather niche market. Sony’s focus and profits are centered around non-photographic sensors. You will be happy to hear that Leica’s upcoming M12 sensor will not be from Sony. In general, I learn to use cameras as tools. This means that I work around the design choices made by the manufacturer. I hope that you open your eyes and recognize that the better “landscape camera” is medium format and not because of anything that Sony says. The fact that you are complaining vs purchasing an X2D2 system tells me that you aren’t serious in your supposed effort to use the best “landscape camera”. That said, the new A7Rvi will likely be the best full frame “landscape camera”. It would have faced serious issues (noise & moire), as dictated by physics, should Sony have gone for even more resolution.



May 12, 2026 at 08:33 AM
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